Rafiki on Ice

I took the family to see Disney on Ice a while ago. On such occasions, the primary thing is the family experience, so I do not haul my regular camera along with me. Instead I use a Powershot G16, which time and time again proves to be a very capable camera.

Tamron 24-70mm f/2.8 DI VC USD G2 rumoured to be announced this week

Oh my.. The competition in the 24-70mm f/2.8 zoom lens segment seems to be extremely busy at the moment. Sigma should have an 24-70mm ART lens announced any day now, and now Tamron is rumoured to announce a new 24-70mm G2 this week too, according to canonrumours.com. (also here);
Interesting enough, both are rumoured to start shipping with an initial price tag of 1299 USD.
I guess I will have to wait for some real life test and reviews before deciding then. I used the Tamron 17-50mm f/2.8 VC a lot on my 60D, and it was an excellent lens. If the new Tamron proves to live up to this, I might be interested.
Additionally, Sigma released some MTF charts that people “wise” in such things seems a bit disappointed about. I never decide on lenses based on MTF charts, so my advice: Wait for some real reviews by trusted sources.

In Undead Colors: Green

One of the many beautiful costumes from this years International Carnival Parade at Aalborg Carnival.
The British Carnival group Mandinga Arts had teamed up with Hasseris Gymnasium to create the most amazing and well-executed themes of the entire parade, a Mexican Day of the Dead tribute.

Get off the high horse

Ok, I get it.

You only shoot with your Micro Four Thirds because it is the ultimate compact camera solution.

..or you only shoot with full frame cameras because small sensors suck.
..or you only shoot film because it is the only way to achieve that analog look.
..or you only use a wide angle lens when shooting in the streets because being up close is the only way to connect with your subject.
..or you never process your pictures in Lightroom or Photoshop because your pictures need to be authentic.
..or you only shoot in black and white because colors are taking away the pureness of a photograph.
..or you only shoot with primes because zoom lenses are filled with compromises.
..or you only shoot L-lenses because life is too short for inferior lenses.

I get it, but seriously, who cares?

It’s not like people are going to look at your pictures and say “Wow, best photograph in the world, just too bad it is taken with a zoom lens”. It doesn’t matter. Yes, of course the gear you use matters and you have to pick the gear that fits you best. But don’t try to make you choices the ultimate truth. It is not. It is purely your truth.

If you find a recipe that works for you, good for you. But that doesn’t give you the right to scoff at anybody else, just because they do something different from you or choose different gear.



The end result is what matters. The final picture, the work you have created is what counts. The gear you used or the approach you used to get the results you wanted doesn’t matter.

There is no need to think you are superior just because you think your way of producing photos is the only way. You are not superior. You’re a photographer who have found your voice. Good for you. But you have to realize that other photographers will find their voice using other gear or other ways.

In Undead Colors: Yellow

One of the many beautiful costumes from this years International Carnival Parade at Aalborg Carnival.
The British Carnival group Mandinga Arts had teamed up with Hasseris Gymnasium to create the most amazing and well-executed themes of the entire parade, a Mexican Day of the Dead tribute.